Ana Martín Movies

When they were children, siblings Sergio and Teresa made a promise to never leave each other. An unhealthy co-dependence developes into adulthood.

Experimental documentary short film with a prologue by José Revueltas about the 1968 Mexico City Olympics.

Late 16th century: two Azteca teens are very much in love, but older folks have designs on each of them. This can't end well...

Three girls from different social classes are forced to take that first step into adulthood that leads them to live fun adventures and also...

Teen-romance comedy with unrelated dramatic subplots.

Tacos al carbón is a mexican movie released on june 8th 1972 on Mexico City.

Tired of the monotony of her work, Mary O'Hara, executive of an important American company, travels to Acapulco for a few days in search of love and...

Doña Refugio works in an office until the bounce and has three children: Fernando who is studying to be a lawyer, doctor and Nacho Edmundo to...

Many stories of families within an urban complex.

Several lives intertwine: those of a group of vandals, a drug addict, and a girl who works as a waitress in a restaurant where her mother cooks.

After a romantic betrayal, young Cecilia decides to sleep around with the men she grew up with.

Ex-con breaks into a house and ends up bonding with a toddler instead of burgling the way he'd planned.

Three young women are ready to marry, but their father inserts himself into the decision-making process.

The Phantom Gunslinger is set in the town of "Tucca Flats." The peaceful life of the town is disrupted by the arrival of a gang of bandits, including...

A sporty new car is gifted to two young men who work at an auto factory, and they have to time-share it between them.

Aging widow interferes in the lives of her adult children.

A motorcycle gang goes to a mansion where a party is being held and joy turns into tragedy.

Childhood trauma and religious repression causes a little boy to grow up into a murderer.

A geography teacher hires a male sex worker, yet the man is not what he appears to be.